Showing posts with label film photography. Show all posts
Showing posts with label film photography. Show all posts

Kodak is officially bankrupt

Which is what happens when you have the strategic vision of a alcoholic oyster. Kodak executives rejected digital as if it was never going to happen...well this is not a business blog.

However, Kodak does Tri X black n white film, my favorite with Neopan 100. I don't want to see Tri X disappear. That would be such a terrible loss. I'll keep tracking to see what happens to the film division of Kodak, but let's hope the market is big enough for Tri-X to remain !


A selection of my work with Tri X:







What (and how much) do you need to start shooting film.

If you are already convinced you want to go analog, you can skip the first part.

Funny days. Along with the digital boom in photography as a hobby, we are seeing a limited number of individuals realizing that film is in many aspects the way to go. However they don't take the step because it simply feels like too much to learn, too complicated. Now remember that quote:

Luke: "Vader… Is the dark side stronger?"
Yoda: "No, no, no. Quicker, easier, more seductive."

My spiritual Master.

Indeed, sticking to digital only because it's convenient and easy only proves you are not as dedicated to your hobby as you think you are :p (mwaahahaha !). Now I'm not saying film is better than digital. I'm saying that for some things, film remains better, and for some other things, digital is the way to go. To be more specific:
- film is superior to digital for B&W because of a much wider tone range
- film is superior to digital for dynamic range
- film is superior to digital for the rendering of grain.
- film is superior for very large prints.

 - digital is superior in low light (for large modern sensors, such as on a D7000, Fuji X100 and others)
- digital is more convenient
- running costs are fixed

And finally, the most important: there is no available digital equipment in true medium and large format sensor size. There are some close to medium format digital, but since they cost the same as a nicely equipped BMW, so we'll consider that there is none to most of us. This is very relevant because MF and LF are essentially the way to shoot portrait and landscape.

DSLRs perform better at documentary, action and color in general is you like post processing. The debate on digital color VS film is never ending, film dynamic range is greater, but scanning or developing is very hard. Digital is more flexible, but colder in a way.

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 Now that you are convinced you want to go analog, here is what you need, and how much it costs on Ebay, B&H or Adorama:

- a film camera (duh !): if you get a film camera in addition to your digital gear, you are an idiot if you don't go medium format. That's the all point, get that mega amazing new level of image quality, warmth, definition, bokeh, that you just can't have with 35mm sensors. I also recommend you go for proper MF, 6x6 or 6x7 size. 645 is nice, but it's a job half way done. A complete system (body + a great lens the like you could never dream of on your SLR + metering) will go from 300$ for a Mamiya 645 or Contax equivalent, to 900$ for a Mamiya RZ67 and up to 1200 for a Pentax 67II. The 300$ 645 will already outperform your DSLR.
Now if you want a great 35mm full frame with metering starts at 100$ (a nikon FE or FE 2). For the same with AF, you should not pay more than 300$ (for a top of the range Nikon F4 / F5, or even a very good F100)

 - If you went MF, a lens that destroys a Leica M lense, used in great condition, costs from 200$ to 400$. If you went 35mm, lenses are the same as the one you have on your Nikon...oh wait you might not have a Nikon, too bad. For film 35mm, go Nikon and buy a 50mm f1.8 lens for 100$.

- Film. Depending on sensitivity or color, a roll will cost from 2.5$ to 8$. MF format rolls (8 to 15 shots) cost about the same as a 36 frame 35mm roll. You will shoot a lot less, and a lot better. So don't compare the cost of 2000 digital shots to how much it'd cost with film. You'd shot 200 frame max if you know you have to pay more attention.

- Development: you are getting started? Don't do it yourself. Development cost about the same as the roll. So let's say a roll will cost from 6$ to 12$ all included. This is the price for DEV ONLY, not printing.

- A film scanner: that is rather necessary is you want to post your images. Since you'll get your pics developed only, not printing, you'll be able to scan them and edit contrast and other basic things like you would do in a dark room. A good film scanner like the Epson's (V700, V750 and maybe newer models since then) cost about 450$.


Epson V700






Let's sum it up: you got yourself a 6x7 medium format set, a scanner, an 100 rolls of films (enough to shoot for a long time), it will cost you about 2000$. 

That is cheaper than a Nikon D700, a Canon 5D MKII with no lens. It won't age. You'll never need to upgrade it. It's been the same for ever.

Inspiration: Hannes Caspar (aka Bluecut)

Today's inspiration is a Flickr found photographer from Germany called Hannes Caspar. He annoys me because he can do what I wish I could do... so when I see his work, I get positively envious and it makes me want to shoot.

You can see his Flickr stream here.

He does 2 things I really like:
  1. he shoots medium format (Pentax 67, a tool I can only recommend, with a preference to HP5) in that sultry but reserved style that I appreciate so much (I must say he also choses his models really well)
  2. when he shoots digital (Canon 5D mkII), he makes the most of it by really leveraging the digital editing in the best way possible: he makes it look like light itself played with the sensor, very natural and soft. 
  3. also (yes I added a 3rd point, it's my blog I do what I want), it's overall strongly distinctive in style. You see the pic, you know it's him.

Followers know I'm strongly biased towards film, but his work makes me realize that bias might be related to my lack of editing skills ^^.

It was hard to pick just a few shots, so go see his flickr stream, it's worth it all the way down to the last page (nudity warning).















Inspiration: Jonathan Leder

- Jonathan Leder is an American photographer in his mid 30ies from...guess...NYC. For a change.

He has been working for quite a few nice clients (Elle Italia, etc.) On his site it's film only, from MF to Polaroid with of course good Ol' 35mm. His moody pictures have a little something of that 70ies vintage touch with young naked skinny girl as for Ryan McGinley. However,  Ryan's work is more a vision of asexual innocently fucked up but happy kids (males and females), touched by some sort of immortal grace, Leder's work bends a lot toward a fashion aesthetics. A mix of Vogue and happily trashed 70ies America. 
Very strong moods, use of grain and natural light is delightful. I love it, even if it's not very original. I mean naked models in a trash set up has been done a million times, NYC people have to go out a little, but he does it better (and the all drug thing can really piss me off. If you are a junky, you're a piece of shit, nothing cool about it).

Photoshop junkies have everything to learn from him.






Oldies: Joy @ Dublin

Some more old shots before I can scan all I have in boxes.

These I haven't put on www.RonanShotMe.com yet, so they are sort of exclusive.
Shot with a Mamiya RZ67 pro II, 110mm F2.8 lens, a thru a white umbrella (facing model). Metered with an F5 (the Nikon F5 meters really really well). Film is Kodak Tri-X 120.

Thanks to the model : Joy.


Product review, the Nikon FE.

The Nikon FE you said? Is it a new compact? How many mega pixels ? (One day I'll write an article to explain how stupid that question is).

Well no, the Nikon FE is a superb machine, extremely reliable, trustworthy, with amazing ergonomics, and it looks like that:


Isn't it beautiful? It also exists in black, one of my friend has one in black...I must say I nearly bought a second one for the look of it. Oh yeah it cost $ 100 on any famous photo gear site's used section.

-"Wow thanks Ronan, we really needed a 1978 camera review"
Well maybe you do actually, because unlike hundreds of compact digitals that cost 500 euros for features that are just as useful as a spare tire on a horse, this my friends is a camera.

It is a manual focus SLR with built in metering and aperture priority mode. It means you can set the aperture and it will shoot at the right speed automatically. And that's pretty much it. It's fantastic, because you can shoot without even thinking: point, focus, shoot. No need to go thru a 7 layers menu to find the right presets.
The meter appears to be center weighted (gotta check but it behaves like it, the Nikon FA has matrix metering) and you can lock the exposure with a button conveniently center on the side of the lens, falling under your right fingers. If you know the zone system well, you can expose perfectly with this little monster, it is a brilliant meter.

What else, the battery lasts forever (years...), it's built out of metal, and nicely, you won't have the battery clip duck taped after it fell from a chair, oh no.

Lenses? Well it takes everything Nikon has ever produce as far as I know, even the most recent. I use it with the 35f2 full frame and the 85f1.8.

I already explained why I shoot film, so I'll explain why I shoot the FE:
  • It is small, doesn't rely on batteries and if it gets stolen I can get an other one for 100 bucks. That makes it a great travel friend.
  • It meters brilliantly.
  • With the $100 50mm f1.8, it is the cheapest package for someone to start film photography (or simply photography with a taste for grain and black & white)
  • Wear it with a leather jacket and beige kakis, and I swear you'll feel like Indiana Jones.
  • It takes great pictures even if, has always, that highly depends on the lens.
  • Vintage look of color 35mm film
  • Beats digital B&W easy.
Weather you want to give film a serious but cheap try, or if you like to collect vintage but still great cameras, or...well just get one. Those are low rez scans, ask me if you want a large file to make up your mind.

Neopan 400, Budapest, 35mmF2.

Hilford HP5, Barcelona, 35mmF2.

Portra VC, NYC, 35mmF2.

Why do I shoot film ?

Most of the picture I will display here will be film photography. Why? Digital is convenient, forgiving, even sometimes better (Nikon makes cameras that perform amazingly at very high ISO) but there are still reasons to shoot film:
  • Tone range : digital photography relies on a certain number of tones between white and black. Film photography relies on the chemical reaction of a product on a plastic sheet: tones are progressive, more subtile.
  • Medium format: there is a very simple rule in photography, the larger the film / sensor, the better. A medium format camera will surpass any 35mm the same way any car will alway be quicker than a horse. Same applies to large format compared to medium format. Digital MF does exist but wow, price tag makes it inaccessible to most of us (>$ 15k)
  • You pay attention to the way you shoot, because you have from 8 to 36 frames on a roll, and it will cost you. You learn faster, and more like an artist than like a paparazzi. Painter don't paint 500 until they get the right one, they pay attention to what they do, same applies to film photography


Nikon F5 (300 euros second hand), Nikon 85F1.8 and Fuji Acros

  • It remains photography, not digital art. I love good digital art, but please let's call a cat a cat. Photography relies of exposure, framing, composition and use of light. If you use textures, massive editing, or else, you are a digital artist.
  • Cameras are cheap as hell now that everyone gets digital: a Mamiya RZ67 (a top professional studio camera) cost 800 dollars with a lens on Adorama or B&H, Ebay etc. And will destroy any 5D mkII, Nikon D3X when it comes to pictures. Same applies to Pentax 67's, Fujica's etc. Wanna shoot fancy? Don't waste money in a snob Leica M. Your MF system will outperform it for 1/5th of the price !!!
  • In B&W, it just looks better.
  • Film grain is awesome !